Showing posts with label Devoted to You. Show all posts
Showing posts with label Devoted to You. Show all posts

Friday, April 15, 2022

"Devoted to You"

A couple days ago, I figured out and notated the vocal melody (and harmony) for the bridges in the Everly Brothers' "Devoted to You" (I'd done the verses a few years ago).  Yester-day, I was still thinking about the song and noticed a feature that's also present in the Beach Boys' version (on Beach Boys' Party!).  In the lines "It can't die because I'm so / Devoted to you," "devoted" is held for more than a full measure, illustrating the degree of "so."

Sunday, September 12, 2021

"Devoted to You"

A couple months ago, I noticed a small feature in the Everly Brothers' "Devoted to You."  Since this also appears in the version the Beach Boys did for Beach Boys' Party!, I felt I'd write about it here too.

The bridge exhibits anaphora (the repeated "I'll never"):
I'll never hurt you; I'll never lie
I'll never be untrue
I'll never give you reason to cry
I'd be unhappy if you were blue
This repetition illustrates the narrator's determination.

Friday, January 4, 2019

"Devoted to You"

Recently, I discovered some features in the Everly Brothers' "Devoted to You."  Since the Beach Boys covered this on Beach Boys' Party!, I thought I'd write a post about it.  (I feel I should note that I have only Beach Boys' Party! Uncovered and Unplugged, not the original album.)

The first line of the second verse is "I'll be yours through endless time."  "Endless" is sung with a melisma (E D E in one voice; C# B C# in the other), and because it's drawn out, there's a musical sense of duration.

The first two lines of the third verse are "Through the years, my love will grow / Like a river, it will flow."  "Love" is sung with a melisma (E D in one voice; C# B in the other), and that extra syllable provides a musical sense of its "grow[ing]."  Both "river" (A G F# in one voice; F# E D in the other) and "it" (E D in one voice; C# B in the other) are sung with melismas, musically giving a sense of the movement of "flow[ing]."

There are two structural features that illustrate the speaker/singer's constancy:  every verse ends with the phrase "Devoted to you," and the bridge uses the rhetorical device of anaphora with the repeated "I'll never...."