"Friends"

I recently learned the bass register of the clavinet part in "Friends," and in doing so, I discovered an interesting feature in the song.

The melody to which "We've been friends now for so many years" is sung contains only the pitches D, E, and F#; the melody to which "We've been together through the good times and the tears" is sung contains only the pitches Eb, F, and G.  I'm not sure whether this is technically a key change (the song is [mostly] in D major) or just a slew of accidentals, but in any case, the foreign tonalities musically indicate the breadth of experiences that have occurred in this friendship.

"Anna Lee, the Healer"

Yester-day, I bought Wake the World: The Friends Sessions, one of the digital-only albums of session outtakes and alternate versions.  I listened to it a second time this morning and noticed a small feature in "Anna Lee, the Healer."  The lines "From the Himalayan mountainside up in Rishikesh / To a California beach house facin' towards the sea" contain a merism - a rhetorical device that gives a sense of breadth by naming two specific points along a range.