Showing posts with label Palisades Park. Show all posts
Showing posts with label Palisades Park. Show all posts

Monday, July 13, 2026

"Palisades Park"

I listened to 15 Big Ones (and Love You) last week because it was the fiftieth anniversary of its release (on 5 July 1976), and I noticed a couple points in "Palisades Park."  I wanted to compare the Beach Boys' version to the original by Freddy Cannon before writing about it, though, and it took me a while to track down my copy of Cannon's recording.

The lines "You never know how great a kiss can feel / Until you stop at the top of a Ferris wheel" contain the highest pitches in the lead vocal (Es), giving a sense of the height of "at the top."

Cannon's version is a half step higher (Ab major), so the pitches there are Fs, but the feeling is the same.  Unless I'm mistaken, the lyric is a bit different, though:  "You'll never know how great a kiss can feel / When you stop at the top of a Ferris wheel."

In the line "And around like a merry-go-round," "around" is sung with a melisma (D E D), giving a slight sense of this movement.  This articulation isn't in Cannon's version.

Tuesday, July 18, 2023

"Palisades Park"

Last week, I figured out the chords for "Palisades Park" (on 15 Big Ones).  While doing so, I sort of accidentally learned the organ solo, too, and I realized something interesting about it.

I'm missing a few subtleties, but it's basically:


Except for two measures, the solo is entirely chromatic phrases, and I think this is significant.  There's a piece of classical music called Einzug der Gladiatoren, Op. 68 by Czech composer Julius Fučík.  It's often used in conjunction with circuses, and the well-known section is also mostly chromatic.  Here's an excerpt:


The solo in "Palisades Park" uses the same musical vocabulary, and I think the intent is to suggest the carnival atmosphere with which Einzug der Gladiatoren is often associated.  This is similar to the type of environment that the lyrics of "Palisades Park" describe.

I also referenced the version of "Palisades Park" by Freddy Cannon, which I think is the original and which the liner notes of my edition of 15 Big Ones mention specifically.  This feature is there too, but in the Beach Boys' version, it's used to a greater extent and is much more prominent.